On Cortada’s Red Wolves

Back in the Before Times, I went to an event and exhibition of  Xavier Cortada’s works at Creative Pinellas. Cortada is a Florida-based artist whose work often to focuses on the environment. I was one of a group of people reading from their works of environmentally focused fiction: in my case, part of a chapter from my novel The Tollkeeper.

During that event, they explained a contest in which writers were invited to compose a poem based on Cortada’s works. I took several pictures of his pieces to see if anything sparked my poetic impulses.

I don’t compose a lot of poetry, but I did write two pieces that I brought along to the contest on the appointed day. Then I learned that the poems were supposed to be written during this second event, not before it. I clearly hadn’t read the fine print. I briefly considered presenting one of my poems as having been written the day of the event, but that wouldn’t be fair. Both poems had taken me well over an hour, and an hour or so as the time we were allotted to write in situ.

So, I composed in incomplete poem during the event, one that had no chance of winning. But I still had these other two poems sitting on my proverbial shelf. Then a few years later I came across an unusual online magazine called Apocalypse Confidential. Reading though it, I thought the tone fit with my two Cortada-inspired poems and so submitted the one I thought was strongest.

To my surprise (I’m always surprised when someone accepts something of mine), they agreed to publish it. So below is a link to it for anyone who is interested in a strange (definitely) and darkly humorous (I’m hoping) ekphrastic poem.


Featured image: Head shot of artist Xavier Cortada taken in 2007: https://commons.wikimedia.org/wiki/File:Xavier_Cortada_2007_artist_headshot.jpg


Poetry, Programming and People Management

The human brain does ambiguity well. Most of us are strangely drawn to multiple meanings, surrealities and pattern recognition. We thrive on metaphors and similes, rejoice in symbols, dance to nonsense syllables and ad hoc syncopations. And paradoxes? We both hate and love them — paradoxically, of course.

This may be one of the reasons so many people become frustrated and even fearful when confronted by math and logic. Those disciplines feel so cold and hard-edged with their unitary meanings and wearisome concatenations of implacable reasoning.

It’s the same with computer coding. If you take an Introduction to Computer Science course, the professors often go out of their way to compare natural languages (a phrase which itself is an oxymoron) with computer languages.

Yao graph with number of ray k=8; from Wikimedia, by Rocchini

The gist is that while while both types of language share common and, indeed, essential properties such as syntax and semantics, they differ widely in that natural language can often be understood even when the speaker or writer fails to follow basic spelling or grammatical rules. In contrast, a computer program (much like a mathematical equation) will typically fail to work if even a single character is left out or misplaced. An absent bracket can be a fatal bug, a backwards greater-than symbol can cause an infinite loop, a poorly assigned variable can inadvertently turn  100 dollars into a dime.

A computer has no use for the artful ambiguities and multiple meanings of poetry. If you give the machine a couple of lines of verse such asanyone lived in a pretty how town (with up so floating many bells down)”,  it will — unless you carefully guide the words into the code as a string —  give you an error message.  (I know a lot of people who might respond the same way, of course.)  Yet, without the precisely imprecise wordplay of e e cummings, those lines of poetry would not be poetry at all.

So, what does any of this have to do with people management?

Just this: people management is sometimes poetry, sometimes programming, and it helps to know which is which. Before the rise of civilizations and cities, when virtually all people were hunting and gathering in smallish bands and clans, people management (in the forms it would have existed then) was all poetry.

Walden Pond; from Wikimedia, by QuarterCircleS

Sure, there were unwritten rules, harsh taboos, constant rumors and deadly serious superstitions. And a leader, to the degree there were leaders as we understand them today, could leverage those cultural components to influence his or her clansmen. But this was mostly a matter of nuance, persuasion, the formation of alliances, the wielding of knowledge and lore (when, that is, it wasn’t a matter of force and coercion). In the largest sense, it was art and song.

Today, good managers must still be attuned to the poetry of human attitudes and actions, able to sort through the ambiguities of rumor mills and hurt feelings and arrogant posturings. But now managers must also cope with or even rely on laws, regulations and rules.

Is there a “zero tolerance” clause in the company policy somewhere? Then even a terrific employee who gets caught using illegal drugs may need to go.  Are there complex legal regulations barring a worker from having financial holdings in a certain client company? Well, then, the employee must divest or hit the door. There are countless other examples of rules that are as hard-and-fast as rule-of-law societies can make them. Although these human rules will never be quite as rigorous as the requirements of programming languages, they are a kind of human programming; there are true and false statements,  barriers that can’t be broken, classifications that should never be breached.

This is why we have legal departments. It is also why uncertain managers call in the hired gun of the HR professional to take care of dismissals and drug tests and background checks.

We simultaneously hate  this programming of human behavior and depend on it. We can, for example, rely on the kind of code that states:

while worker performance >= level 3: { {

provide paycheck and health insurance }

else if: {

performance <= level 2:

leverage performance review proceedings


Okay, the coding in companies is much more complex than that. Still, the point is that we rely on it because it’s clean, logical and, best of all, spares us from having to make hard and potentially dangerous decisions on our own. In such settings, we are no longer “poets of people management,” the kind of managers who might have led a clan though a vast and dangerous prehistoric wilderness in millennia gone by.

This dependence on programming is a shame in many ways, one that harried managers should ponder from time to time.  I know we can’t utterly avoid modern programming — at least, not unless we retreat into the wildness, as metaphorically  isolated as Thoreau in his cabin by Walden Pond. Nor should we. The rule of law is essential to our modern societies, and formal policies are often forged to protect employees from arbitrary or biased decisions. Still, we might strive to be better poets, respecting employees as the people they are rather than viewing them as components of a well-programmed machine.

Featured image: The Parnassus (1511) by Raphael: famous poets recite alongside the nine Muses atop Mount Parnassus.

Editor’s Note

I can’t believe that you dare

turn this in to me.

I produce more (and better)

while reading the paper on the john

in the thin morning light.

Never again put such a paltry

sliver of labor on my plate.

I want a full slab,

something still bloody and

pulsing with the effort

of a full day’s toil.

I want both of us to know

you’ve swapped this fair

irretrievable day for

a valiant, stunning battle

against your own God-given mediocrity.

Life is too short

(you soulless lout)

for anything less

than sacrifice.

This poem was originally published in WRITERS' Journal
Featured image: "Quarters of the news editor", one of a group of four photos in the 1900 brochure Seattle and the Orient, which was collectively captioned "The Seattle Daily Times — Editorial Department".